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Sunday, January 22, 2017

Black Swan


Genre: surrealistic horror
With: Natalie Portman (Nina Sayers), Mila Kunis (Lily), Vincent Cassel (Thomas Leroy), Barbara Hershey (Erica Sayers, Nina’s mother), Winona Ryder (Beth Macintyre), Benjamin Millepied (David)
Director: Darren Aronofsky
Release: 2010
Studio: Protozoa Pictures, Phoenix Pictures, Fox Searchlight Pictures et al.
Rating: 14A
MBiS score: 7.2/10


Killing Two Birds With One Single Movie  


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Story-line: a New York City ballet company faces turbulent times as it prepares for the new season. Nina, a dedicated dancer, hopes for more prominent roles, Beth, the prima ballerina, is unceremoniously sacked, ballet master Leroy plans a radical new production of Swan Lake and the hiring of Lily from San Francisco makes waves among the troupe.   
Pluses: a brutal look at the disciplined and pressure-filled world of ballet dancers, an outstanding turn by Natalie Portman and able support from Mila Kunis and Vincent Cassel, impressive choreography, photography and music, topline production values and a startling screenplay (early on).
Minuses: an overstuffed, implausible and excruciating last act in which all hell breaks loose. During those 25 minutes or so, I laughed out loud several times – never a good sign for a ‟serious” movie – and hoped it would all end pronto.        
Comments: BLACK SWAN, a celebrated film about nerves and nightmares, unfortunately suffers from a split personality à la Dr. Jekyll and Mr. Hyde. As lovely and vibrant as it is in the first act – for which it deserved an 8.4 – it morphs into the campy, sleazy, self-aggrandizing affair it was aiming to be all along. You’ll find lots of angst and uproar here but not much human value, the yardstick against which I judge every movie. I hope you’ll like it more than I did.


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